George Lynch is one of the most recognizable names in the world of heavy metal guitar. With a career spanning more than thirty years, George has recorded more than twenty albums, toured the entire globe many times, and is the one of the most recognizable endorsees of the world’s finest guitars and equipment.
Born on September 28, 1954 in Spokane, Washington, George Lynch began learning to play guitar at the age of ten. A naturally gifted musician, his guitar playing quickly progressed and became a creative outlet for him during his teenage years performing with several bands, most notably Sergeant Rocks.
In the late 1970s, George moved to Los Angeles, California, where he formed two bands, The Boyz and Xciter. With Xciter, George’s technical abilities and unique style was a very important draw to the band’s fan base. Playing the L.A. club circuit, it was clear that he was already taking the necessary steps that would lead him to success in the 1980s and his partnership with legendary band Dokken.
When George Lynch joined Dokken in the early 1980s, success came very quickly. As history proves, much of the band’s album sales and credibility is the result of George Lynch’s guitar abilities and songwriting. With Dokken, Lynch recorded five albums from 1983 to 1988, all of which did remarkably well in the United States, Europe and Asia. This worldwide success made George Lynch one of the most influential rock guitarists in modern music, even earning the band a Grammy nomination in 1989 for Best Rock Instrumental. George parted ways with Dokken in 1989 and began the new decade with a different approach . . . enter the Lynch Mob.
By the early 1990s George had become a marquee guitar hero throughout the world. As a result, working with the Lynch Mob was a highly scrutinized and anticipated project. In just three years, the Lynch Mob released two records and hit the road on two worldwide tours. After the second tour’s completion, Lynch took hiatus and retreated to the studio to craft his first solo recordings.
Sacred Groove was Lynch’s first solo endeavor, released in 1993. For the first time in his career, he was able to display a broader assortment of musical and guitar styles. The Sacred Groove album clearly established Lynch as an eclectic musician with a volume of eccentric work. Having satisfied this endeavor, George Lynch took several years off to spend time with his children and enjoy life in Arizona. That was until a call from an old friend came in 1994.
Following his departure, Dokken had reformed without the use of George Lynch, but when the record company refused to release a new Dokken record without Lynch, phone calls were made in late 1994. Lynch came in to fulfill the requests of the record company and round two with the band began. Soon to follow were two more Dokken records and three more years of touring the globe.
By 1998, Lynch finished his commitment with Dokken and set out to work with the Lynch Mob. This resulted in Smoke This, an album that featured a culmination of his playing styles, but with a new approach. The 1999 tour that followed brought George’s playing to a new audience and resulted in a renewed interest in the band and George Lynch’s influence. With new confidence, George began working with former Dokken band mate bassist Jeff Pilson and drummer Michael Frowein on what was to become a lengthy album titled Wicked Underground.
The Lynch/Pilson project grew out of song ideas that began with Michael Frowein at Lynch’s Stonehouse Studios the previous year. Jeff Pilson was always in mind to join in the completion of the songs. The collaboration proved to inspire Pilson and Lynch to completing the full-length record together. Wicked Underground was completed under the name LP (Lynch/Pilson) and delivered to stores in April 2003.
Also in 2003, Lynch began reworking the sound of earlier Lynch Mob and Dokken material. To complete this task, George re-assembled Mob band members, Robert Mason and Anthony Esposito, along with Michael Frowein on drums. Together, they reinvented the spirit and fire of early Lynch compositions onto an album titled REVolution, which was also released in 2003. The guitar work on both Wicked Underground and REVolution demonstrated Lynch’s consistency with his signature sound while balancing a more experimental side.
At present, George Lynch has been busy in the studio and on the road. His solo record titled Furious George features a collection of songs that influenced the musician throughout his career. He is also working on a retrospective compilation titled Lost Lynch. The collection exhibits his natural progression and growth as a musician, guitarist and songwriter. Spanning over thirty years, Lost Lynch showcases his earliest recordings at age fifteen to his multi-platinum successes later in his career. This collection explores some choice examples of missing links from Dokken and Lynch Mob, as well as Lynch’s later projects that have never been released to the public.
Kill All Control (2011) began as a follow up to Let the Truth Be Known, Lynch’s first Souls of We release. As he began writing with London LeGrand (Brides of Destruction), the project took on a whole new direction, solidifying this original course with the addition of Powerman 5000 drummer Adrian Ost.
“The creative juices flowed and we wrote most of the CD in ten days,” said Lynch. As writing and recording progressed at Slate Studios, I experimented with additional singers, including Will Marten (Earshot), Marc Torien (Bullet Boys), and Keith St. John (Montrose), hoping to create a collective listening experience,” Lynch offered.
The continued reflection on earlier days spawned a following up to “Mr. Scary”, called “Son of Scary”, featuring renowned percussionist Fred Coury of Cinderella.