With his husky, soulful baritone, Michael McDonald became one of the most distinctive and popular vocalists to emerge from the laidback California pop/rock scene of the late ‘70s. McDonald found the middle ground between blue-eyed soul and smooth soft-rock, a sound which made him a star.
He initially essayed his signature style with the Doobie Brothers, ushering in the group’s most popular period with hits like “What a Fool Believes” and “Taking It to the Streets”. McDonald disbanded the group in 1982 to pursue a solo career, which was initially quite successful, but by the end of the decade, his popularity had faded away, since he was reluctant to work regularly and hesitant to update his sound to suit shifting popular tastes.
After singing backup on several Steely Dan albums in the mid-‘70s, Michael McDonald joined the Doobie Brothers in 1977. He was largely responsible for moving the group away from boogie-rock and toward polished, jazzy blue-eyed soul. Prior to the Doobies' farewell tour in 1982, he sang harmony on several hit single, including tracks by Donna Summer, Toto, Kenny Loggins and Christopher Cross. As it turned out, McDonald’s solo work was a cross between the Doobie Brothers' white-bread soul and Cross’ adult contemporary ballads.
McDonald released his solo debut, If That’s What It Takes, in 1982. The record climbed to number six on the strength of the number four single, “I Keep Forgettin’ (Every Time You’re Near)” which also crossed over into the R&B Top Ten. In 1983, he had another Top 20 pop hit (and a Top Ten R&B hit) with his duet with James Ingram, “Yah Mo B There”. McDonald didn’t deliver his second solo album, No Lookin’ Back, until 1985. The record wasn’t as successful as its predecessor, producing only one moderate hit in its title track. He bounced back the following year, when his duet with Patti LaBelle, “On My Own”, shot to number one and “Sweet Freedom”, his theme for the Billy Crystal/Gregory Hines comedy, Running Scared, climbed into the Top Ten.
Instead of capitalizing on his revitalized success, McDonald didn’t release another album until 1990. The resulting Take It to Heart was a bomb, peaking at number 110. Two years later, his fortunes were revived somewhat when he sang on Aretha Franklin’s minor hit, “Ever Changing Times”, and he toured with Donald Fagen’s New York Rock and Soul Revue.
The following year, he released Blink of an Eye, which was ignored. In 1994, “I Keep Forgettin’ (Every Time You’re Near)” was sampled heavily in Warren G’s smash hit, “Regulate”.
McDonald reunited with the Doobies several times since their initial break-up, but he continues his solo career with a series of tribute albums to the Motown sound. The best example of this is his 2003 album, Motown, which was actually recorded on Motown Records and earned McDonald two Grammy nominations. He also sang “Eyes of a Child” (written by Trey Parker), the ending credits song for the 1999 animated film South Park: Bigger, Longer and Uncut.
There’s no separating the unparalleled legacy of The Doobie Brothers from their newest release World Gone Crazy (2010). The Doobie Brothers have honored the broader, 40-year band’s legacy with a new studio album that grows in unexpected directions.
Founding members Tom Johnston and Pat Simmons are joined by longtime members John McFee and Mike Hosack. Ted Templeman, the producer behind the band biggest hits and other classics(Van Halen, Eric Clapton, Carly Simon, etc) returns to reignite the special chemistry that audiences have embraced for the past four decades.