One of the first and longest-lasting country-rock groups, Poco had its roots in the dying embers of the Buffalo Springfield:
After co-founders Neil Young and Stephen Stills exited in the spring of
1968, only guitarist/singer Richie Furay and bassist Jim Messina
remained to complete the group’s swan song, Last Time Around. The final Springfield track, “Kind Woman”, included only Furay and Messina, with a guest appearance on steel guitar by Rusty Young, formerly of Boenzee Cryque.
He stuck with Furay and Messina, passing on a scheduled audition for a
new group that Gram Parsons was putting together; auditions followed
before the fledgling group reached out to Young’s ex-Boenzee Cryque
bandmate George Grantham on drums and vocals and to bassist/singer
Randy Meisner. This lineup rehearsed for four months before making their
debut at the L.A. Troubadour in November. A month later, they made
their first appearance at the Fillmore West on a bill with The Steve Miller Band and Sly and The Family Stone.
At the time, they were using the name Pogo, but that didn't last; Walt Kelly, the creator of the comic strip Pogo,
from which they’d freely admitted borrowing the name, didn’t appreciate
the group’s choice and filed a lawsuit. Not wanting to lose all of the
recognition and goodwill they’d built up locally over the previous five
months, the result was a change of just one consonant, to Poco.
Just one day after signing to Epic in early 1969, Meisner suddenly left
the band, apparently over personality clashes; he later joined the Eagles. Recorded as a four-piece, Poco’s debut, Pickin’ Up the Pieces,
was released in June of 1969. The group was back to being a quintet in
1970 with the addition of bassist Timothy B. Schmidt, whose arrival
coincided with the recording of their second album, Poco.
wasn’t long after that Messina decided to leave, feeling that Furay had
assumed too much control over the group’s sound. Before departing, he
secured the services of a capable replacement member -- Paul Cotton, a
onetime member of the Illinois Speed Press - and also played on and produced their subsequent live album, Deliverin’, which rose to Number 26 and yielded the minor hit “C’mon”. Their next album, 1971’s From the Inside, was produced in Memphis by Booker T. and the M.G.’s guitarist Steve Cropper. The same lineup became the first Poco membership to last for more than one studio album; their second, A Good Feelin' to Know, was released in 1972, but by this time, even Furay had begun to lose heart over the band’s lack of commercial success.
The band made one renewed effort, Crazy Eyes,
their most accomplished studio album to date; released late in 1973, it
became their most successful work. However, just as the LP was
released, Furay left the group to hook up with Chris Hillman and John
David Souther to form the Souther-Hillman-Furay Band. Still, Poco continued as a quartet; their next album, Seven, released in the spring of 1974, failed to replicate the success of Crazy Eyes. The group was at a critical point in their history following the release of one more Epic album, Cantamos, which appeared in the fall of 1974 and got no higher than Number 76. After parting with Epic, Poco signed with ABC Records in 1975; their first album, Head Over Heels, issued in mid-1975, surpassed expectations to fall just shy of the Top 40.
After the album Rose of Cimarron,
the group came close to splitting up in 1976, with new member Al Garth
exiting in the middle of the year. Finally, in the spring of 1977, Indian Summer was released; four months later, Timothy Schmit exited the lineup to replace Meisner in The Eagles.
Grantham followed him out of the band in January of 1978, eventually
becoming Ricky Skaggs’ drummer. The group re-formed with Charlie
Harrison and Steve Chapman joining Young and Cotton; Kim Bullard, a Crosby, Stills and Nash alumnus, came in on keyboards in December of that year, and Poco was once again a quintet. All of these personnel changes seemed to have done the trick, because their next album, Legend,
released late in 1978, became the best-selling LP in their history,
earning a gold record in the course of rising to Number Fourteen. The
accompanying single, “Crazy Love”, reached Number 17, far and away their
biggest seller to date. It was matched by Cotton’s “Heart of the
Night”, which got to Number 20 during the summer of 1979.
However, their subsequent albums - Under the Gun, Blue and Gray, and Cowboys and Englishmen - each performed more poorly than its predecessor; Ghost Town,
issued late in 1982, peaked at an anemic Number 195. Furay rejoined the
group briefly in mid-1984 along with Schmidt, resulting in the Inamorata
album, which scarcely made any impact, and a five-year hiatus followed
before the original quintet re-formed in the spring of 1989. Their
comeback single, “Call It Love”, hit the Top 20, accompanied by the
album Legacy (1989, produced by Richard Marx), which made it to Number 40. Although the 1968 lineup didn’t stay together, Poco was restored as a working band, touring periodically with Cotton and Young at its core.
In 2002, the band released a new album, Running Horse
, through their website, http://www.poconut.com/
2004 brought a DVD/ CD with Richie Furay titled Keeping the Legend Alive. Two live CDs were released in 2006 and
2007, Bareback at Big Sky and The Wildwood Sessions. Still playing to
crowds of Poconuts, still winning over new fans, still reaching for new challenges,
2010 marks the beginning of a new era in the Poco legend. Today longtime Poco
bassist Jack Sundrud, renown Muscle Shoals Section drummer George Lawrence, and
the newest addition, keyboard wizard Michael Webb, join Rusty Young in building
on the musical tradition that has been a hallmark of Poco for over four decades.
shares, “Poco has a history unmatched
by any band and we feel a responsibility to keep audiences captivated with each
and every concert. I’m excited about Poco’s
future. It’s been a long ride and it just keeps getting better!”