Howard and David continue to prove that the trail they’ve ridden to fame has been as unique as their music itself - music that is now celebrating 30 years of success.
The road that started on the pop music charts in the ‘70s, took a winding turn into country music in the ‘80s, paving the way for duos to come, such as Brooks & Dunn, Montgomery Gentry, Big & Rich, and previously - The Judds. But before the road forked into country, the musical odyssey of brothers Bellamy started creatively smoldering in their home state of Florida, before exploding nationally amidst the ‘70s pop music culture of Los Angeles.
The brothers first official gig was in 1968, playing a free show with their father at the Rattlesnake Roundup in San Antonio, Florida. They honed their early skills playing black clubs throughout the south, and singing backup for artists such as Percy Sledge, Eddie Floyd, and Little Anthony & The Imperials. Within a few months, the brothers moved north, immersing themselves and their rock/country sound in the Atlanta market, where the Allman Brothers were the emerging kings of the music world.
With the dawning of the Age of Aquarius on the horizon, and America embroiled in a smoke haze of drugs, civil unrest and an unpopular war, The Bellamy’s music picked-up the hard driving edge that bespoke the times. Songwriting had become David Bellamy’s drug of choice during the long road gigs he and Howard were regularly pulling bodies and equipment to and from. It was his songwriting that was posed to soon provide the duo a national breakout.
The break came in the form of the hit, “Spiders & Snakes,” written by David and recorded by Jim Stafford. The song became a smash, eventually selling more than three million units worldwide. It became the catapult that rocketed the brother onto the L.A. music scene. Young and impressionable, Howard and David fell into the musical circle of the greats of the day: Bob Dylan, James Taylor, and Van Morrison, as well as West Coast based country rockers like Poco and the Byrds.
It was a creative shoe that fit.
Now known by their music and the company they were keeping, The Bellamys officially lifted off the launch pad in 1976 when their single, “Let Your Love Flow”, became an instant smash in both the U.S. and Europe. It stayed on the international charts long enough to build a huge international fan base for the hip young brothers that endures to this day. In Germany alone it perched at Number One for more than two months. The love was indeed flowing as The Bellamys jammed for audiences on their sold-out concerts and shared stages with the likes of Loggins & Messina, the Doobie Brothers, and the Beach Boys, with their patented blend of rock/country music.
True to their musical roots, their style and their songwriting was moving steadily more towards their raising. By the late ‘70s The Bellamys were emerging on the country charts with another bona fide smash. “If I Said You Had A Beautiful Body (Would You Hold It Against Me)”, originally scrawled on a dinner napkin by David, rocketed them to the top of the country charts the way “Let Your Love Flow”, had done in the pop market just a few years earlier. It proved to be the first of a string of fourteen Number One singles in the U.S. alone.
Success followed success: “Dancing Cowboys”, “Sugar Daddy”, “You Ain’t Just Whistlin’ Dixie”, “Lovers Live Longer”, “Do You Love As Good As You Look”, “Redneck Girl”, “For All the Wrong Reasons”, “I Love Her Mind”, “I Need More of You”, “Old Hippie”, “Too Much is Not Enough”, “Kids of the Baby Boom”, and “Reggae Cowboy” and “Crazy from the Heart” . . . all have lined the corridors of the Bellamy’s musical history and their walls with platinum and gold.
Along the way, Howard and David created a patent on the newly cool “duo” category in country music. In the era of the 2000’s, The Bellamy Brothers hold the record in both the Academy of Country Music (ACM) and the Country Music Association Awards (CMA) for the most duo nominations. Numerous Grammy nods have also been directed toward the brothers.
Internationally, the story has been the same - though the titles may be different. The Bellamys have released more than two-dozen hit songs outside the U.S. that were never released here. With a sharp eye on the songwriting skills that have been the bedrock of their success, Howard and David concur that their career is unique in their international finesse for matching their songs to the market.
“For the international releases, you have to have a strong melody,” notes David. “The lyric is very important, but internationally the melody is something fans can lock into, even if they can’t understand the lyrics.” Howard and David continue to perform and film TV specials in Europe and around the world.
These days when the subject turns to touring, The Bellamys are showing a new generation of country music how it’s done. “We’re old road dogs,” grins Howard when asked about the motivation behind the brothers 200 plus concert dates each year. Adds David: “Our live draw is bigger than it was in the ‘80s. I think the same people that grew up with us and with our music in the ‘60s and ‘70s obviously have raised a whole new generation of Bellamy fans who started toddling to our music. Now they’re turning up at our concerts as college kids, who are really turned on and tuned in to us and our music . . . it’s a great feeling.”
On the infrequent off days from the road, Howard and David head the bus back to their 150-acre family ranch in Darby, Florida just north of Tampa. A working ranch, the spread consists of Purebred Charlois cattle and quarter horses. Amid a land lush with fruit trees, ancient oaks and crepe myrtles, three generation of the Bellamy family, headed by David and Howard’s mother, Frances, populate the homes clustered in the family compound.
David and Howard’s latest effort has been the corroboration with thirty or more guest artists from all genres of music recording their vocals on over twenty of the Bellamy’s greatest hits plus three new selections. The release of Angels & Outlaws - Volume One (Curb/Bellamy Brothers Records) features such songs and artists as “You Ain’t Just Whistlin’ Dixie” with Alan Jackson; “Old Hippie” with Montgomery Gentry; and “If I Said You Had a Beautiful Body” with none other than Ms. Dolly Parton (whose interpretation makes it sound new all over again). Cuts from Volume One have charted here as well as in Europe. (As reported, “The Bellamy Brothers Country Music Duo makes history by scoring the Top Three Slots on Europe’s Hotdisc Chart.”) Willie Nelson, George Jones, Tanya Tucker and many more also contributed their talents to this CD proving these hits from the past still resonate today. Once again, The Bellamys “Let Their Hits Flow.”
It’s hard to believe that The Bellamy Brothers have been around for thirty years now with 49 albums, including compilations.
Jesus is Coming, their latest release, is also the band’s first Gospel music release. Unlike some other recent Gospel style country artist releases that featured remakes of classic hymns Jesus is Coming features twelve new songs along with a gospel remix.
This release takes a look at what’s happening in the world now and lets people know that there is hope, grace, and redemption available for those that seek out the Lord.
You can also hear the next generation of the Bellamys on the song, “You’re the World,” which features David’s sons Jesse and Noah Bellamy.