The Temptations were the quintessential Motown vocal group. The quintet offered a rich blend of voices accompanied by stylish, coordinated dance moves. With songs and production from some of Motown’s brightest lights - most notably Smokey Robinson (“My Girl”) and Norman Whitfield (“Ain’t Too Proud to Beg”) - the Temptations lived up to their billing as emperors of soul. During the gilded age of soul music in general and Motown in particular, the Temptations delivered the intricate harmonies of street corner serenaders and the polished choreography of a Sixties soul revue. Moreover, their story is a long, episodic one of perseverance and dedication that extends from their origins in 1961 to the present day.
The Temptations were initially formed from two Detroit-based vocal harmony groups: the Primes (a trio of relocated Alabamans that included Eddie Kendricks and Paul Williams) and the Distants (a quintet whose members included Otis Williams, Melvin Franklin and Elbridge Bryant). When the latter group lost its other members, Kendricks and Williams were invited to join the Distants, and the reconstituted quintet auditioned for Berry Gordy. Not only were they signed to Motown, but after a couple of singles on its Miracle affiliate, a new label imprint (Gordy) was created with them in mind. Still, the Temptations had trouble establishing themselves in the beginning, and by the end of 1963 - much like the early story of the Supremes - they had only a string of non-charting singles to their credit. Then singer David Ruffin entered the picture. Replacing Elbridge Bryant, Ruffin brought a raspy, gospel-style tenor and fervent showmanship to the Temptations, serving as a perfect complement to the group’s vocal blend, which included Kendricks’ high tenor, Otis Williams’ middle tenor, Paul Williams’ baritone and Melvin Franklin’s deep bass voice. They liked to refer to themselves as “five lead vocalists.”
This was the Temptations’ classic lineup, lasting from 1964 to 1968. Their career upturn began with the Top Twenty success of the Smokey Robinson-penned “The Way You Do the Things You Do” in early ‘64. Both Robinson and Whitfield vied to supply the group with hit material. Backed by Motown’s peerless studio band, a veritable in-house orchestra dubbed the Funk Brothers, the Temptations ruled the Top Forty at mid-decade with such milestones of Motown soul as “My Girl,” “Ain’t Too Proud to Beg,” “Beauty’s Only Skin Deep,” “(I Know) I’m Losing You,” and “I Wish It Would Rain.” When Ruffin left to go solo in 1968, one chapter in the Temptations saga ended and another equally successful one began. His replacement, Dennis Edwards, formerly of the Contours, could later look back on his lengthy tenure with the Temptations - which lasted through various comings and goings for 20 years - and note that he sang lead on more hits than Ruffin and Kendricks combined.
Edwards’ arrival coincided with the onset of the Temptations’ “psychedelic” period, a turn toward more contemporary sounds and incisive subject matter inspired by the likes of Sly and the Family Stone. This inaugurated the most successful run of singles in the Temptations’ long career. During the years 1968-72, the group - under the continuing direction of songwriter/producer Norman Whitfield - turned out a dizzying array of timely, funky relevant hits, including “Cloud Nine,” “Runaway Child, Running Wild,” “I Can’t Get Next to You,” “Psychedelic Shack,” “Ball of Confusion” and their masterpiece of social realism and ensemble vocals, “Papa Was a Rolling Stone.” Amid this onslaught of psychedelic soul, the Temptations also cut “Just My Imagination,” a velvety, Kendrick-sung ballad that harked back to the days of “My Girl” and returned them to the top of the charts in 1971. Kendrick left shortly thereafter to embark on a solo career, striking pay dirt on his own with “Boogie People” and “Keep On Truckin’.” One new member who came on-board in 1971 was Richard Street, who had belonged to the Distants.
During the Seventies, in the spirit of that album-oriented era, the Temptations recorded some of their strongest and most cohesive long players, including Masterpiece (1973), A Song for You (1975) and The Temptations Do the Temptations (1976). In 1982, Ruffin and Kendrick rejoined the Temptations for the Reunion album and a wildly successful reunion tour. In May 1983, the Temptations’ vocal duel with the Four Tops served as a highlight of Motown’s 25th anniversary TV special.
Over the years, the Temptations suffered a series of tragic losses: the suicide of Paul Williams in 1971; the death of David Ruffin, after years of substance abuse, in 1991; Eddie Kendricks’ succumbing to lung cancer in 1992; and the loss of Melvin Franklin from complications following a brain seizure in 1995. However, the Temptations have proven durable despite the setbacks. With a lineup that includes founding member Otis Williams, the group has remained active, perpetuating what they’ve long referred to as “the tradition.”
On the eve of their 50th anniversary, the Temptations are back with their 49th album, appropriately titled Still Here (2010). It’s their first since Back to Front, which hit the R&B Top 20 album charts in 2007. Across six decades, the mighty Temptations have thrilled audiences worldwide with classic songs, pinpoint choreography and a lineup of great singers that never fails to deliver. Members of the Rock & Roll Hall of Fame, winners of Motown first Grammy Award, one of the greatest groups of all time, the “Tempts” are iconic masters of pop and soul. Still Here continues the Temptations tradition. Infused with old-school harmony and contemporary touches, the album is executive produced by original Temptation Otis Williams, who produced several tracks on the album.
“Change Has Come” is an energetic tribute to the election of President Barack Obama and a rousing performance by lead singer “Big” Bruce Williamson, who is equally exciting on the nostalgic “Going Back Home.” “Hold Me,” featuring Terry Weeks, is a beautiful ballad, one of several slow jams on the album, like “Woman,” featuring long-time high tenor Ron Tyson, who also simmers on the mid-tempo “Warm Summer Nights.” “Swatyismygirlooyeah” is a modern update of the Motown chestnut “My Girl.” “Listen Up” is a cautionary tale, a new millennium version of “Ball of Confusion.” “Soul Music” pays homage to great music from “back in the day” - a sound that remains vital today. Same as the Temptations - still here.